![]() ![]() One of the most beautifully animated portions, briefly straying stylistically from the rest of the film, comes at around the halfway point, when we start digging more deeply into Mitsuha’s side of the story. To her it’s more awe-inspiring than overwhelming. Luckily for her, she falls into the category of people who have been dreaming about the city since they were little. Mitsuha is instantly swept away in the non-stop bustle, a full 180 from the ritual tranquility of the country. Not just relative to Tokyo, but big cities in general. When Mitsuha (as Taki) first steps into the crowded streets of Tokyo, the results are an impressively close representation of what that actually feels like. is even better at drawing a distinct line between life in the country and life in the city. Mitsuha and Taki’s personalities and bodies may be at the center of their swap, but your name. Yes, it is at times almost slavishly realistic, but just when you start to lean on that notion Shinkai and his crew interject with a particularly stylish dramatic beat. Every little detail is stunning, to the point where it becomes one of those “why isn’t this live-action again?” films. All the while their story is told with the type of refined, gorgeously lush animation for which Shinkai is known. They leave each other notes, write in their phone diaries, and gradually get to know one another despite the fact that they never cross paths. Once they both become more aware of what’s happening, they begin to work together to solve this body-hopping puzzle. Who are their friends? Where do they go to school, and what do they do each day after the bell rings? The curiosities of the body obviously rear their head right out of the gate, but the real puzzle is figuring out who this person they’re inhabiting really is. These switches hit unexpectedly one moment they’re going to sleep and the next they’re waking up in the shell of the other. is pretty simple: Mitsuha, a young girl from a rural town, finds herself swapping bodies with Taki, a boy who lives in Tokyo. ![]() ahead of the April 7 US theatrical debut, however, I fully understand its success. Combine that with the occasional vocal backlash-sometimes from notable industry veterans like Toshio “Otaking” Okada-and you have a recipe for preconceived notions. Look at me! I said I wouldn’t get into this but I just can’t help it. (While it technically beat Spirited Away worldwide, it still comes in second in domestic gross.) I won’t spend too much time breaking down its substantial impact, but in case you missed it, it’s currently the fourth highest-grossing film of all time in Japan, as well as the second highest-grossing Japanese movie and the second-ranked anime film. ( Kimi no Na wa.), the latest anime film from director Makoto Shinkai ( 5 Centimeters per Second, The Garden of Words). At this point you’ve probably heard a lot about your name. ![]()
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